Visconti - The Red Vineyard
Visconti The Red Vineyard performs as well as the other inks in the Van Gogh series that I’ve reviewed, and by that, I mean very nicely. In color, it will delight some, but might be too bright for others. Either way, it’s a very nice ink. Let’s take a look.
This is a bright, red orange. On many papers, it’s difficult to categorize it as more of one or the other. I like that. It isn’t garish, but it definitely isn’t shy. It’s far more restrained than something like Pilot Iroshizuku Fuyu-gaki.
This is a strong shading ink on uncoated papers. There’s wide variation from dark to light on every stroke. Light areas remind me of orange cream ice cream, while darks are a deep red orange.
On coated papers, there’s often a darkened stroke edge and an inner glow. Red influences are stronger here, and I think of under-ripe tomatoes hanging on a garden vine.
The Red Vineyard is neutral to slightly wet in flow, and it’s a very comfortable writing ink. It performed very well on all of my test papers. I didn’t have any problems with feathering, and on good quality copy paper there was only modest ghosting. Drying was fast to average, too.
Visconti The Red Vineyard and the other Van Gogh series inks come in very nice, square, 30 ml bottles. You’ll find them for US$19 at many popular online retailers. This color is very attractive, but it won’t be for everyone. I can see myself using it for writing long notes or editing. It’s restrained enough to be comfortable and very legible in full pages of text. If you like the color, don’t hesitate!